Admiration and passion for fantastic rocks can be traced back to the Tang Dynasty (618-906) or even earlier. Rocks were used to decorated gardens of the emperors, government officials and rich people.
The most comprehensive of the early descriptions of rocks is Yun Lin Shi Pu (雲林石譜,Stone Catalogue of Cloudy Forest) by Du Wan (杜綰) between 1126 and 1130. Du listed 114 places where special stones for decorative purposes could be found. Their colours, texture, hardness and other characteristics were described.
First page of Yun Lin Shi Pu (雲林石譜)
The Taihu rocks (太湖石) dug out from the bottom of Tai Hu (太湖, Lake Tai) are the most prized of all garden rocks. As they have been over harvested, they are extremely rare and expensive today.
The beautiful rocks resemble fantastic mountains in which one may mentally climb or ramble.
Strangely faceted rocks, a small pine tree and bonsais at the Chinese Garden of Friendship, SydneyThe landscape architecture of the garden is made up of rocks of different sizes and shapes.A giant rock in the pond with a funny shape that looks like an animalA miniature faceted rock displaced at Chinese Garden of FriendshipThe other side of the rock above
Good information about rock sketching can be found in Manual of the Mustard Seed Garden (芥子園畫傳).
Manual of the Mustard Seed Garden (芥子園畫傳 Jieziyuan Huazhuan) is a printed manual of Chinese painting compiled during the early-Qing Dynasty. The work was commissioned by Shen Xinyou (沈心友), whose mansion in Lanxi, Zhejiang province 浙江蘭溪 was known as Jieziyuan (芥子園), or Mustard Seed Garden. Shen possessed the teaching materials of Li Liufang (李流芳), a painter of the late-Ming Dynasty and commissioned Wáng Gài (王概), Wáng Shī (王蓍), Wáng Niè (王臬), and Zhū Shēng (諸升) to edit and expand those materials with the aim of producing a manual for landscape painting. The result was the first part of Jieziyuan Huazhuan, published in 1679, in five colours.
Mr. Ip Chit Hoo imitated the stone-painting technique of artists in the Ming Dynasty
葉哲豪先生仿明代拳石法
1 Rock painting, red seals: 朱文橢圓印: 培風藝苑; 朱文方印: 松盦臨本, ink on paper, 24 cm x 33 cm2 Rock painting, red seals: 朱文方印: 喆翁; 朱文橢圓印: 培風藝苑, ink on paper, 24 cm x 33 cm3 Rock painting, red seals: 朱文方印: 松盦臨本; 朱文橢圓印: 培風藝苑, ink on paper, 24 cm x 33 cm
4 Rock painting, red seals: 朱文: 橢圓印: 培風藝苑; 朱文方印: 喆翁, ink on paper, 24 cm x 33 cm5 Rock painting, red seals: 朱文橢圓印: 培風藝苑; 朱文方印: 松盦臨本, ink on paper, 24 cm x 33 cm6 Rock painting, red seals: 朱文方印: 喆翁; 朱文橢圓印: 培風藝苑, ink on paper, 24 cm x 33 cm7 Rock painting, red seals: 朱文橢圓印: 培風藝苑; 朱文方印: 松盦臨本, ink on paper, 24 cm x 33 cm8 Rock painting, red seals: 朱文方印: 喆翁; 朱文橢圓印: 培風藝苑, ink on paper, 24 cm x 33 cm9 Rock painting, inscriptions: 以上九幀屬藍瑛拳石法。朱文方印: 松盦臨本; 朱文橢圓印: 培風藝苑, ink on paper, 24 cm x 33 cm10 Rock painting, inscriptions: 照陳老蓮升庵簪花圖有此石法。朱文方印: 喆翁; 朱文橢圓印: 培風藝苑, ink on paper, 24 cm x 33 cm11 Rock painting, inscriptions: 陳洪綬荷花圖有此石法。朱文方印: 松盦臨本; 朱文橢圓印: 培風藝苑, ink on paper, 24 cm x 33 cm12 Rock painting, inscriptions: 夏昶白石蒼荺圖有此石法。戊辰 (1988) 初冬於香江客次, 為燿漢老棣屬繪故宮博物院藏明代繪畫中之拳石法。 嶺南松盦葉哲豪並識。白紋方印: 松盦,朱文方印: 哲豪, ink on paper, 24 cm x 33 cmAlbum cover, inscriptions : 松盦仿明代拳石法, 戊辰 (1988) 初冬, 喆翁, red seal: 朱文方印: 喆翁
Four Paintings of the Ming Dynasty that had inspired Mr Ip
Lan Ying (藍瑛)(1585-1664), Red friend紅友, ink and watercolour on paper. Inscriptions: 申燕学畫此,藍瑛,47.4 x 148.2 cm, Metropolitan Museum of Art, New York, USAChen Hongshou (陳鴻壽) (1768-1722), Yang Sheng’an (升庵楊慎) and two ladies with hairpin flower, 楊升庵簪花圖, ink and watercolour on paper, hanging scroll, 143.5 x 61.5 cm, The Palace Museum, Beijing.Chen Hongshou (陳鴻壽) (1768-1722), Lotus and Rock, 荷花圖, ink and watercolour on paper, hanging scroll, 75.8 x 39 cm, Natural Palace Museum, Taiwan.Xia Chang (夏昶)(1388-1470), White Stone and Dark Green Skinned Bamboo, 白石青筠圖, ink on silk, hanging scroll, 156.3 x 73.3 cm, The Palace Museum, Beijing (the yellow colour of silk has been whitened)
Acknowledgments
I would like to thank the late Mr Ip for his teaching. His dedication to Chinese painting and his generosity are always remembered. I would also like to thank Maria, Mr Ip’s daughter for her consistent support and encouragement.